Born in the 80s? Then Christmas time, if anything like mine, was spent in front of the television, with He-Man and Moss Man figures cast aside to duel by themselves as I was enveloped in my world within that box of pixels and fluorescence.
Christmas has always been a time of favoured repetition, a day or two to
relax and indulge, rarely changing from the last, doubtlessly changing much to
the next. The Brussel sprouts and spring greens bubbled away as my mother
conjured up a magical festive feast, sisters carried out their
ritual of squabbling over their stocking filler triumphs in the background and
Dad, having cleverly bored us to yawns by putting on The Great Escape,
would be left in his grown-up haven of wrapping-paper strewn solitude in the
living room downstairs.
Banned from the gloom of Eastenders, selectively in advance, mum would have
scoured the bumper Radio Times edition for films in a bid to
keep her offspring distracted. For me, it was easy pickings. Bearing in mind
that my bed time stories consisted of elaborate Greek mythologies and the
wonderfully grim Brothers Grimm tales that had been enjoyed many moons ago when she
was new to the world also, it is my mum that I have to thank for my love of the
sinister sword-wielding Skeletons and high-adventure in far off exotic lands.
For every year, my ritual, without fail, was watching a Ray Harryhausen epic (or two); a
damsel in distress, a hero with a cause, mighty monsters out to terrorise all
who dare awaken them from their Christmas slumber. Star Wars had been on earlier, Indiana Jones would be on tomorrow, but Christmas Day, was all about Ray; proud monarch of the creature-feature.
The name 'Harryhausen' however didn't enter my vocabulary until much later.
His monsters however, sorry, 'creatures' (as Harryhausen terms them), so
tactile, so ground-breakingly convincing to a child’s eyes, entered my
thoughts, drawings, dreams (and occasionally nightmares) immediately. Those
terrifying galvanised creeks as colossal statue Talos clambers with steely
cold-hearted destruction in his sandaled-steps towards Jason's Argonauts, as
his Achilles heel is gouged, seeping out pink-amber molten menace. To this day,
whenever I see a clip or still of mighty incubus, the Kraken, my stomach bolts
tight in fear, as pure and real as the first time I witnessed a flash of the
scaled tail, whipping through deep-blue saltwater darkness - and that vocal
triad of horror, 'RELEASE THE KRAKEN!' summoning imminent death to the ethereal
Andromeda in Clash Of The Titans. Just recounting this is a little therapeutic,
as I may have just realised the root of my fear of the sea.
To name a quotient more of films that may regress you further, such as Sinbad
and the Eye of the Tiger, The Valley of Gwangi, One Million Years B.C.,
Mysterious Island, The Animal World, It Came From Beneath The Sea - all I
implore you to get a copy of and watch film animation history immediately. For
these films all have one thing in particular in common; the imagination,
craftsmanship and plain perseverance of Ray Harryhausen. Now, although
never billed as a 'Ray Harryhausen film' at the time of theatrical release,
over time, Ray's contribution to what we see on our film screens has been
recognised. For Ray essentially single-handedly evolved stop-motion animation,
on a budget, with only a couple of peers as inspiration. His home-made models
took on his life with every little blink, swipe and gnash, engaging the viewer
from what research Ray could afford. He had a family, but his work, or more his
extended family, were cooked, warmed to life in his homestead oven. His daughter Vanessa regaled an
anecdote of how their dinners used to always taste of Latex as Ray had been
baking his latest creature to ripeness in time to strike a pose on set in his
home-studio.
On 9th November 2012 the Gate Picturehouse at Notting Hill Gate, London, put
on the first public theatrical screening of a new documentary made all about the
inventor of 'Dynamation'; Ray Harryhausen: Special Effects Titan. It was also
my birthday and I could not think of a more charming way to spend my evening,
than in the company of a childhood muse.
The film itself is a very impressive roll-call of Hollywood film directors,
producers and animators paying homage to Ray. Also addressing the near
bare-faced duplication of various scenes and creations from Ray's portfolio in
modern day cinema, it was a fascinating watch, both heart-warming and
informative. Particularly touching, The Martian Chronicles author
Ray Bradbury makes one of his last appearances on screen, talking of their fun
together as young bucks on the emerging golden Hollywood scene. From Jurassic
Park to Avatar, it's evidently clear by the end of this film that
Ray Harryhausen's work is in some part to be credited for their existence, be
it the advance in stop-motion animation techniques and technology, to the sheer
domino effect that wondrous inspiration has on other creatives.
The Q&A panel after the screening featured the films Director &
Writer Gilles Penso, its Producer Alexandre Poncet and Co-producer Tony Dalton,
plus Actress Caroline Munro, Director John Landis (the booming American voice
you hear a lot), Animator Nick Park (who was a guest in the audience then
called on stage to partake last minute) and Ray Harryhausen himself. Bearing in
mind Ray is 92 (and a half, as he laughingly pointed out) at the time of recording,
he is still very much full of vim and insisted to walk to and from the stage,
in his own time. What a man.
I recorded the panel for your enjoyment below. It is by no means a professional
recording, but hope you can make out the voices enough to not miss out entirely
what was an exceptionally fantastic night for me.
What's more, if Ray's work stirs up many more memories for you too, follow and enjoy The Ray and Diana Harryhausen Foundation and fantastic Facebook feed - set up to keep restoring all of his incredible models, artwork and films. Living memories...a very important cause for any film fan.
NB: This recording and photos must not be used anywhere without my permission or credit.
Ray Harryhausen: Special Effects Titans Trailer:
Clash of the Titans (1981), 'Release the Kraken':
Sinbad and the Eye of the Tiger Trailer (1977):
It Came From Beneath The Sea Trailer:
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